As I
promised in my very first post, I am revisiting the topic of my most
favorite emerald green hat! I finished it almost one year ago, and it is
probably my proudest knitting accomplishment so far. (Aside from some cozy,
wool socks!) I feel this way about it because despite some setbacks and
challenges, it turned out just right. When I wear it, I feel like it has a
magical quality. Even on the darkest winter day it brightens my eyes and my
cheeks and gives a much needed lift to my spirit. It’s so comfortable that it
starts to feel like a part of me, and on many occasions I have forgotten to take
it off indoors! Recently I wore it through an entire lunch at Cracker Barrel—by
the fireplace!
The hat, the myth, the legend. |
A few years
ago I picked up a copy of Debbie Stoller’s Stitch ‘N Bitch: Superstar Knitting
for reasons that were equal parts inspiration and aspiration. I wanted to get
better at cables, color work and maybe even try my hand at lace. I literally
found new inspiration with the turn of every page. It was almost sensory
overload! Stockings, sweaters, blankets and even a few (eep!) dresses make up
this well rounded but advanced resource.
It is a far cry from Stitch ‘N Bitch: The Knitter’s Handbook, which guided me
through the early days of my first shaky knit stitches. Although I had come a
long way, I still questioned if I was truly ready for this tome.
One
particular pattern held my gaze the longest, and that was the Gretel Tam,
designed by Ysolda Teague. The sophisticated cables and twists
immediately fed my fascination with all things Irish/Scottish/Welsh or English.
The tam style reminded me of the gripping 1791 fright-fest poem, Tam O’Shanter
by Robert Burns. It was official: This hat was for me. Whatever nerves I had
over unfamiliar abbreviations such as “T3F,” “T3B” or whatever the heck “Pfb”
was would be dealt with head on. I had to create it no matter what.
As usual, I
chose a pattern that was a little too
advanced for me. I had two false starts. After the first nine rounds, the
pattern would command me to, “m1.” I interpreted it as a regular knit stitch
increase. WRONG! This is actually an increase where you pick up a bar and knit it
through the back loop between two stitches. I finally looked this up after two
unravelings. By now I was done with making assumptions and the, “I’ll figure it
out myself” attitude. It wasn’t getting me anywhere! When it comes to knitting,
if you don’t know about something, you can’t magically piece it together. You
must get over yourself and go consult someone or something. Humbled, I went to
YouTube (haha) and typed in any and all abbreviations I was unsure about.
Another diagram from my trusty 1973 copy of The Concise Knitting Book. |
Nice, plain English. |
After
several rounds of video watching, I went back to work with a stronger sense of
respect for the process. I slowly knitted, purled, twisted and cabled while
taking deep breaths. I realized I could do this as long as I slowed down and
chilled out. I annotated the pattern and counted stitches like crazy. I’m
pretty sure I used most of my stitch markers. (I always mean to buy more, but getting
around to it is another thing.) When it was time to switch to double pointed
needles, I stayed up very late until I finished. By then I was in “the zone,” and
a little thing like the time of night/morning wasn’t going to stand in the way.
I had crossed the bridge from uncertainty and frustration into a place of
absolutely loving what I was doing. If anything was worth an all-nighter, it
was this!
In progress |
As per the
finishing instructions, I blocked my hat on a dinner plate! For any flat beret
or tam pattern, this is the best little trick. A Frisbee would work, too. I
allowed three whole days to pass to be one hundred percent sure that the
cable-twist pattern had, “set.” Despite the milder temperatures, I took it with
me everywhere through March.
Fast forward
one year later, and I am pretty sure that this hat has saved my life--or maybe
just my health. Winter came on strong and early. During this time I found
myself with a long commute into D.C. and a walk that added up to eight blocks a
day. It was doable, but not exactly fun in the “cold November rain.” Whatever the
temperature is, you can guarantee that it feels twenty degrees colder down on
the Metro platforms. Add on the typical delays, and I spent quite a bit of time
out in the cold. At the end of some days, I would feel pretty tired and ragged.
I thought that I probably didn’t look very good, but then I would glimpse my
reflection in one of the train windows and see myself in the hat. I actually
looked kind of cute, and I realized I was stronger than I thought. I began to
imagine myself as a bright green light in the gray city streets. It helped infuse
me with the positive energy needed to go home and prepare for another day.
And that's the story! |
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